We deploy broadcast-grade, field-tested hardware to ensure high-quality, reliable, and scalable streaming. Our gear supports 4K/Full HD multi-camera production, remote speaker integration, and advanced switching workflows - seamlessly adaptable to corporate events, AGMs, product launches, and hybrid townhalls.
| Camera Type | Purpose / Usage | Brands & Models | Lenses / Accessories |
|---|---|---|---|
| Cinematic Broadcast Cameras | High-quality multi-camera event coverage, cinematic visuals | Sony: PMW Series, PX3A, FX6, FX9, A7S III | 24-70mm, 70-200mm, 100-400mm, 200-600mm, G-Master 50mm / 35mm |
| ENG / Portable 4K Cameras | ENG / Portable 4K Cameras On-the-move event shoots, interviews, documentaries | Panasonic: CX350, AG-UX180 | Integrated zoom lenses, lightweight rigs |
| Studio & Corporate Cameras | Indoor shoots, green-screen, controlled lighting setups | Canon: XF605, C300 Mark III | Canon EF 24-105mm, 70-200mm, CN-E Prime Lenses |
| Triax / Multicore Camera Systems | Large-scale event coverage with long-distance CCU control | Sony: HSC-100, HDC-1700, HDC-3200 Ikegami: HDK-73 | Canon HJ11, HJ40, HJ80, HJ107 High-Zoom Lenses |
| PTZ (Pan-Tilt-Zoom) Cameras | Remote-controlled angles for discreet placements and hybrid setups | Sony SRG-X120/X400, Panasonic: AW-HE40, Birddog P200 | 12x-30x Optical Zoom, IP/NDI Control |
| High Zoom Cameras / Lenses | Long throw coverage for auditoriums or outdoor events | Canon HJ40, HJ80, HJ107 | Ultra zoom, image stabilization lenses |
| Drones (Aerial Cameras) | Dynamic opening visuals, outdoor panoramas | DJI Mavic 3 Cine, DJI Inspire 2, Air 3 | 24mm wide lens, ND filters, gimbals |
| Action / Compact Cameras | Creative angles, behind-the-scenes shots, crowd reactions | GoPro Hero 12 Black, DJI Osmo Action 4 | Chest rigs, suction mounts, 4K slow motion |
Highlights:
| Equipment Type | Purpose / Usage | Brands / Models |
|---|---|---|
| Tripods & Fluid Heads | Stable, smooth camera movements for professional shots | Manfrotto 509HD, Sachtler Flowtech 75/100, Cartoni Focus 12 |
| Sliders & Dollies | Smooth linear camera motion for cinematic reveal shots | Rhino Slider EVO, edelkrone SliderPLUS, Kessler Pocket Dolly |
| Gimbals / Stabilizers | Handheld stabilization for dynamic and moving shots | DJI Ronin RS4 / RS3 Pro, Zhiyun Crane 4, Moza AirCross 3 |
| Jib / Crane Systems | High-angle, sweeping shots for large-scale stage or audience coverage | Jimmie Jib Triangle, Proaim 12ft/18ft Jib, Kessler Crane |
| Wireless Camera Transmission Systems | Real-time HD/4K wireless video from cameras to switchers | Hollyland Mars 400S Pro, Teradek Bolt 4K LT, Vaxis Storm 3000 |
| Intercom / Tally Systems | Seamless crew coordination & live production signaling | Clear-Com, Hollyland Solidcom C1, Datavideo ITC-300, Blackmagic ATEM Tally |
| Camera-Mounted Teleprompters | Helps presenters maintain eye contact with the camera | Datavideo TP-650, Glide Gear TMP100, TeleprompterPAD iLight PRO |
| Speech Prompters (Presidential Prompters) | Transparent dual-glass prompters for on-stage speakers | Prompter People UltraLight 15, Autocue QPro Series, Telescript PRS |
Highlights:
| Equipment Type | Purpose / Usage | Brands / Models / Features |
|---|---|---|
| Video Mixers / Switchers (2ME / 1ME) | Central live switching for multi-camera feeds, graphics, transitions & picture-in-picture | Blackmagic ATEM 2 M/E Advanced Panel, Roland V-160HD / V-60HD, TriCaster TC1 / Advanced Edition — macro automation, multiview, aux routing |
| Virtual Mixing Systems | Software-based switching for hybrid & remote productions | vMix Pro, OBS Studio, Wirecast Studio — supporting NDI/SRT inputs, remote guests, custom overlays |
| Graphics & Lower Thirds Systems | On-screen graphics, countdowns, and motion titles | CasparCG, NewBlueFX Titler Live, integrated vMix or TriCaster graphics engines |
| Master Video Recorders | High-quality ISO and program recording for archive and post-production | AJA Ki Pro Ultra 12G / Ki Pro Go, Blackmagic HyperDeck Studio 4K Pro / HD Mini, Atomos Shogun / Ninja V, Sound Devices PIX-E7 — recording in ProRes / DNxHD / H.264 formats |
| EVS Replay & Instant Highlights | Live replay, slow-motion highlights, and multi-angle playback | EVS XT-VIA / XS3, NewTek 3Play 3P2, vMix Replay Module — for sports, award ceremonies, dynamic sessions |
| Preview / Confidence Monitors | For directors, speakers, and clients to monitor live output | TVLogic LUM Series, Blackmagic SmartView Duo, Lilliput 4K Monitors — floor-mounted or on-stand displays for stage view |
| Talkback / Intercom Systems | Real-time communication between camera crew, director, switcher & floor team | Clear-Com HelixNet / FreeSpeak II, Hollyland Solidcom C1 / Mars T1000, Datavideo ITC-100 — wired & wireless setups |
| Multi-View Output & Monitoring | Real-time monitoring of multiple inputs, preview, and program outputs | Built-in on ATEM / Roland / TriCaster, or standalone with Blackmagic SmartView 4K, AJA Multi-Viewer |
| NDI / Remote Speaker Integration | Seamless connection of remote presenters and hybrid participants | NDI Bridge, vMix Call, Zoom ISO, Skype TX, NDI HX Capture — low-latency sync |
| Signal Conversion & Routing | Distribute and convert SDI/HDMI/NDI signals for varied sources | Blackmagic Smart Videohub 20x20, AJA FS4 / FS2 Frame Syncs, Decimator MD-HX, Roland VC-1 Series |
| Failover / Redundant Switching | Backup live switching path to ensure uninterrupted streaming | Dual independent ATEM / Roland units or Auto Failover SDI Switchers (AJA, Kramer) for reliability |
Highlights:
| Equipment Type | Purpose / Usage | Brands / Models / Features |
|---|---|---|
| Digital Audio Mixers | Centralized mixing for live events, webcasts & multi-speaker sessions | Yamaha QL5 / CL5 / TF5, Behringer X32, Allen & Heath SQ Series, Soundcraft Si Expression — multichannel I/O and Dante networking |
| Analog Mixers (Backup) | Redundant fallback system for smaller or fail-safe setups | Mackie ProFX, Soundcraft EFX Series — compact, reliable analog routing |
| Wireless Microphones (Lapel / Handheld / Headset) | For presenters, panels, and audience interactions | Shure ULXD / QLXD / SLX-D, Sennheiser EW G4, AKG WMS Series, RødeLink Performer Kit |
| Gooseneck & Boundary Mics | For conference tables and boardrooms | Audio-Technica U857, Shure MX412, Beyerdynamic Classis RM31Q |
| Shotgun / Boom Mics | Capturing ambient and directional sound on stage or in studios | Sennheiser MKH 416, RØDE NTG5, Deity S-Mic 2S |
| Digital Audio Interfaces | Connects professional audio mixers to encoders or streaming PCs | Focusrite Scarlett 18i20, Behringer UMC404HD, Blackmagic Audio Monitor |
| In-Ear Monitoring (IEM) Systems | For presenters, translators, and production crew | Shure PSM300 / PSM900, Sennheiser EW IEM G4 |
| Public Address (PA) Systems | Reinforces live sound for large audiences | JBL SRX / PRX Series, QSC K Series, RCF Evox / HDL Series, Bose L1 Compact |
| Audio Signal Distribution | Ensures reliable signal flow across multiple rooms or zones | Whirlwind Patch Bays, Analog Splitters, Dante Networked Audio Distribution |
| Intercom Systems | Coordination between production, camera, and stage teams | Clear-Com Eclipse / HelixNet, Hollyland Solidcom C1 / Mars T1000, Datavideo ITC-100 |
| Recording & Backup | Redundant multitrack recording of all live audio feeds | Zoom F8n Pro, Tascam DR-680, Sound Devices MixPre Series |
Highlights:
| Equipment Type | Purpose / Usage | Brands / Models / Features |
|---|---|---|
| Hardware Encoders | Converts video feed into digital stream for live broadcast | Blackmagic DeckLink / UltraStudio capture cards, Videoon EdgeCaster, AWS Elemental Live, Facebook ClearCaster, Epiphan Pearl-2 / Nano, Teradek Cube 755 / 605, Magewell Ultra Stream / Pro Convert |
| Dual-Path Encoding | Redundant parallel streams for uninterrupted delivery | Simultaneous RTMP + SRT / HLS outputs — ensures reliability and failover support |
| Adaptive Bitrate (ABR) Streaming | Adjusts video quality automatically based on viewer bandwidth | Ensures smooth playback on varying internet speeds — supports 1080p to 4K |
| Multi-CDN Integration | Delivers streams across multiple global networks for scalability | Akamai, AWS CloudFront, Fastly, YouTube Live, Facebook Live, LinkedIn Live, X (Twitter) |
| Signal Routing & Switching | Manages primary and backup feed routing | SDI / HDMI matrix switchers, network bonding routers, load balancers |
| Encoding Monitoring & Control | Centralized monitoring of live stream health, latency, and redundancy | Real-time analytics dashboards, encoder status monitoring, proactive alert systems |
| Cloud Backup Streaming | Real-time cloud mirroring of on-prem encoders for failover | Hybrid workflows using AWS MediaLive, vMix Call, and SRT relay servers |
Highlights:
| Component / System | Purpose / Function | Details / Models / Highlights |
|---|---|---|
| Bonded Internet Setup | Ensures uninterrupted connectivity by combining multiple networks | Aggregates LAN + 4G/5G + Fiber using bonding routers for stable upstream bandwidth (up to 200 Mbps upload) |
| Peplink / LiveU Bonding Routers | Professional-grade link aggregation & redundancy for live streaming | Peplink Balance 310X / MAX HD4, LiveU LU800 / LU600 — supporting multi-SIM bonding, load balancing, and real-time failover |
| Dual-ISP Redundant Systems | Automatic switch-over between two ISPs in case of failure | Enterprise routers with auto-failover and real-time monitoring dashboards for zero-downtime operations |
| Firewalls, VLANs & VPNs | Secure internal and hybrid webcasts | FortiGate, Cisco Meraki, or pfSense firewalls; VLAN segmentation for isolation; encrypted VPN tunnels for remote access |
| Satellite Broadcast Setup (OB VAN) | Live streaming from remote event locations without local internet | Equipped with DSNG OB Vans integrated with HD‑SDI switchers, encoders, and uplink systems |
| Satellite Uplink Systems | Direct signal transmission via satellite for live event coverage | Uses Ku‑Band (quick setup, smaller antennas) and C‑Band (wider coverage, weather resistance); regional uplinks via INSAT‑3A, GSAT‑10, GSAT‑30 |
| Bandwidth & Latency | Reliable and consistent transmission for broadcast-quality streams | Typical uplink bandwidth: 4–10 Mbps (HD), 15–25 Mbps (4K); latency 400–600 ms depending on satellite footprint |
| On-Field OB Van Capabilities | Self-contained mobile broadcast units | Includes multi-camera mixing, audio console, talkback, graphics overlay, recording setup, and satellite uplink encoder (e.g., Newtec Dialog, Comtech EF Data) |
| Hybrid Connectivity for Redundancy | Layered backup system to ensure 24×7 uptime | Combines satellite uplink + bonded cellular + fiber/LAN with automatic route failover and monitoring via Peplink InControl2 |
| Monitoring & Control Room Integration | End-to-end connectivity visibility and stream health tracking | NOC monitors uplink bandwidth, signal strength, SNR, latency, and packet loss in real time |
Highlights:
| Type of Light | Purpose / Usage | Common Brands & Models |
|---|---|---|
| LED Panel Lights (Bi-color / RGB) | Soft, even lighting for speakers or close-ups | Aputure 300D II / 600D, Godox SL150, Nanlite Forza 300 |
| Softbox Lights | Diffused fill light to remove harsh shadows | Elinchrom Rotalux, Godox SB-FW Series |
| Fresnel Lights | Focused, adjustable beam for stage key lighting | Arri Fresnel 650W/1000W, Chauvet Ovation F-915 |
| PAR Cans / LED PARs | Stage wash lighting and colored backdrops | Chauvet SlimPAR Pro H, Martin Rush PAR 2 |
| Moving Head Lights (Spot/Wash/Beam) | Dynamic motion and patterns for live shows | Beam 230/260, Chauvet Maverick MK2, Martin MAC Aura |
| Profile / Ellipsoidal Lights (LEKO) | Highlight podiums or specific stage zones | ETC Source Four, Chauvet Ovation E-260WW |
| Gobo Lights | Project logos or custom designs | Chauvet Gobo Zoom USB, Rosco Image Spot |
| Follow Spots | Manually track speaker/performer spotlight | PR Lighting Followspot 1200, Chauvet LED Followspot 75ST |
| Flood / Blinder Lights | Audience illumination or bright effect moments | Chauvet Strike Array, Elation Cuepix Blinder WW2 |
| RGB Wash Lights | Mood and background color effects | Martin Rush Wash FX 2, Chauvet COLORado 2 Solo |
| Ring Lights | Even facial lighting for webcast or hybrid setups | Neewer 18" LED Ring, Godox LR150 |
| Laser / Beam Lights | High-energy effects for concerts or product reveals | KVANT Clubmax 3000, PR Lighting XR200 |
| Sky Trackers / Search Lights | Outdoor attraction lighting | Strong Gladiator IV, Light Sky Sky Beam 7R |
| HMI Lights | High-intensity daylight-balanced lighting for outdoor or large venues | Arri M18, K5600 Joker 800 |
| DMX Controlled Systems | Central control of all lighting cues and transitions | Avolites Titan, MA Lighting grandMA3 |
Highlights:
